Hello Twelve, Goodbye Twelve

I lied. It didn't take me a few days to come up with a longer post. I had this one mostly drafted already, and just finished it.

I will occasionally be sharing totally geeky posts about my favorite franchises on this blog. You have been warned. And while I'm warning people about stuff, please be advised that this post contains spoilers for the past two seasons of Doctor Who.

So, that being said…


*sniff* I'm fine. Really. Actually, I did try to brace myself for this news to some degree, as rumors have been flying about it for some time now. It's been murmured that Capaldi (and his yet-to-be-introduced companion, Bill) were both going to be dropped from the program (sorry, programme) to clean house for a fresh start with a younger Doctor. Grrrr. Nerd rage.

I'm not on board with the idea that the Doctor has to be young; the stellar performances of Matt Smith and David Tennant notwithstanding. This is mainly because I'm a major fan of the Big Finish audio dramas, which show that you can still tell fun and engaging stories with the “older” Doctors of the classic era. However, if we're talking about failings of the current Doctor Who era…well, I have to admit, it's had its flaws. None of them are Peter Capaldi's fault. He's been phenomenal. But looking back, there are a few things that could have been done differently–and which I hope will be resolved in Capaldi's final series.


1. The regeneration.

Irritating injections of sexual politics aside, “Deep Breath” was perhaps the best regeneration episode in the history of the revived series–if not the entire series. It handled the difficult transition from Smith to Capaldi with skill and sensitivity, gently reminding viewers who and what the Doctor actually is. He's an alien, and he's very, very old. He's not always going to look like David Tennant or Matt Smith. Despite my misgivings about many of his storytelling decisions, I give Steven Moffat full marks for how he dealt with the Eleven/Twelve regeneration.

2. Clara.

Full disclosure: Clara will be showing up in the “cons” list as well. In her best moments, however, she was awesome. Her dynamic with Twelve was delightful and refreshing, finally rising above the threadbare “will-they/won't-they” romance teasing of previous Doctor/companion pairings. She challenged the Doctor without being irritatingly “sassy”…most of the time. And she delivered some of the best acting in the show's history, especially in the last couple of seasons.

3. Twelve's characterization…eventually.

It took some time for the Twelfth Doctor to come into his own. I'll be addressing that later on. But once he did, he was amazing. I know everyone points to his famous “war speech” in last year's Zygon two-parter as his finest moment. Not my personal favorite, as I don't completely agree with the politics involved. I won't deny it was a moment of brilliant acting. But barring something that surpasses it in Series 10, my favorite Twelfth-Doctor scene will always be this one.

4. Series 9…mostly.

I have some big issues with Series 9, even though I consider it to be the revived show's best year so far. For the most part, however, it was amazing. Nearly all the stories were excellent, and some significant pitfalls from past seasons were finally averted.


1. The regeneration.

The upcoming one, I mean. I know we'll get a full series before it happens, and I know three series is really the average limit for Doctors to stick around. But all the same, because of some rocky storytelling early on in the Twelfth Doctor's era, it feels like he hasn't gotten his due. Perhaps Series 10 will remedy this…though quite frankly, with the tiresome and redundant Nardole tagging along in seemingly every episode this year, my expectations are not particularly high. I hope we won't always be looking back on Peter Capaldi's Doctor Who years with regret over wasted potential.

2. Clara.

Oh, Clara. Talk about wasted potential. The problems with this particular companion actually stretch back to the Eleventh Doctor era. First, we got fantastic performances from Jenna Coleman as two wonderful characters who each could have been phenomenal companions…followed by her official debut as a companion who was little more than a glorified MacGuffin. Then she underwent some improvement in Series 8, only to fall into the threadbare trope of companions treating their boyfriends like dirt. Then she finally turned fantastic in Series 9, but proceeded to become such a Mary Sue that the whole plot revolved around her when it really should have focused on more important things (*cough*Gallifrey*cough*). The worst part of it is, her exit in “Face the Raven” would have been utterly perfect were it not for her return in “Hell Bent.” Rose Tyler all over again.

Breathe, Kyle. Breathe. *restrains himself from launching into yet another rant about “Hell Bent”*

3. Twelve's characterization…initially.

Given all the obvious risks involved in introducing a very different Doctor, it's a shame Steven Moffat chose to give Twelve such bizarre, off-putting character traits in his debut series. Specifically, his outright rudeness to people who didn't deserve it and his weird, never-explained anti-soldier bias were very problematic. It took me a long time to warm up to Twelve. I'm not sure I actually started to like him until “Last Christmas” (an under-rated gem, in my opinion). As a fan of even the less-popular classic Doctors, I'm perfectly okay with the Doctor having character flaws. But he's the Doctor. There was no point in baiting people with that weak “Am I a good man?” character arc in Series 8. We all knew he'd end up proving himself to be the decent guy he's always been. Big waste of time.

4. Series 9…partly.

I think most people would agree that the main arc of Series 8 was pretty pathetic. To this day, Missy's plan still makes no sense to me. Plus, that year, we got yet another one of Moffat's humongous retcons (“The Master invented the concept of the afterlife! The Silence were responsible for all human advancement! Now let's never speak of these massive revelations again, or discuss any influence they might have on established canon!”). But to be honest, Series 9 wasn't much better on this front. The “Hybrid” arc, overall, was a big fat disappointment. I'm all for ambiguous resolutions when they're done properly, but this one wasn't. An arc revolving around something as massive as the return of Gallifrey should have culminated in something much more satisfying than “Hell Bent.”

I just ranted again, didn't I? Oops.

The most frustrating thing about Steven Moffat's writing, in my opinion, is that he's got a knack for creating fantastic characters and an unfortunate tendency to bog them down in convoluted plotting (River Song, anyone?). As a writer, he shoots himself in the foot time and time again. He's better at writing one-offs (like “Blink”) than big, over-arching stories. That's not to say I won't miss him as a showrunner, but ultimately I think I'll miss Peter Capaldi as the Doctor even more. I hope that Series 10 will avoid past mis-steps and prove to be a fitting send-off for this exceptional actor.

Your thoughts? Feel free to share below.

Comments (7)

So much possible ranting, my friend, I totally agree.

I’d never watched DW until the 9th Doctor (I grew up with decidedly non-geek parents, though two of my uncles have been Whovians since about the minute they were born, so I was aware of the series and knew a little bit about the concept – aliens, time travel, Tom Baker’s 10-foot-long scarf). Anyway, since then, I’ve either been literally glued to the screen, laughing crazily/sobbing hysterically, or glued to the screen and had my anticipation shoved straight into the dirt. With the more recent seasons, it’s definitely the latter.

Moffat as showrunner has been, I feel, a disaster. Especially with things like Me, Missy, and the “Hybrid.” Yeah, I went from being on the edge of my seat in “Face the Raven,” to, at the end of “Hell Bent,” yelling at the screen, WHAT IN BLAZES WAS THAT?!?!?!


Great post. Thanks so much for sharing your thoughts!

😀 Thank you! That’s exactly how I feel. I became a Whovian rather late in life compared to most people (around age 19), and have enjoyed a rather turbulent relationship with the series ever since. Hell Bent in particular was a massive disappointment, because it promised so much and delivered so little. The thing that really infuriates me is that to have a companion die the way Clara did in Face the Raven, suddenly and painfully, as the result of her own mistake, would have been a huge milestone for the show IF ONLY MOFFAT HADN’T INSISTED ON BRINGING HER BACK. URGH. Series 9 came so close to being near-perfect.
I admire a lot of things about Moffat’s writing (in fact, his work has been a major influence on my own), but he clearly doesn’t take any criticism to heart, because he keeps making the same mistakes over and over again. At this point, I’m just hoping he doesn’t plunge the show any further into quicksand before Chris Chibnall can take the reins.

For me, most episodes since about the reveal of who River Song actually was have been pretty lame. Clara was such a disappointment. Like you, I didn’t agree one bit with the final choice they made on her character’s story arc. How did “The Impossible Girl” suddenly become a stuck-up schoolteacher who was a jerk to her nice boyfriend? Just lame, in my view. And there’s been a LOT of chatter on the fan forums about how Moffat seems to have been given the same criticisms about 50 times by now, and yet most recent releases (like the finale of Sherlock) he’s been at the helm of are plagued by the very same disasters. Yeah, here’s hoping the show still has better days ahead of it.

I hadn’t heard those comments about Moffat, but they don’t surprise me at all. Sometimes I wonder if he’s just burned out from doing too much (Sherlock in addition to Doctor Who), and simply doesn’t have the creative spark left to make the show good. Of course, I hear Sherlock is falling short of the bar these days as well (haven’t seen the most recent season yet).

Yeah, the last time I went on Doctor Who forums (a couple months ago), people were not only complaining about what they saw as repeated flaws in DW, but also in Sherlock. So that got me interested in why those fans thought this was so, and a lot of it was connected back to Moffat. That he apparently didn’t listen, or was burnt out and losing his inspiration, like you said.

It’s a shame; he’s really brilliant in his best moments. I guess it’s a lesson to us authors not to be overconfident, or to lose touch with what inspired us to write in the first place.

Yeah, some of the early episodes (from the modern series) that he wrote I really enjoyed. It was part of why I was excited about Sherlock. But now I’m so on the fence about whether or not to even watch the final episode. Based on what others are saying, I might regret doing so. You’re right, we have to be careful to realize when we’re getting burnt out and take a step back.

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